TY - ICOMM

T1 - Gender Matters

T2 - The Significance of Gender/ing in P3´s Music Radio Production

AU - Wallevik, Katrine

PY - 2022/6/2

Y1 - 2022/6/2

N2 - This article gives anthropological insight into how gender/ing practices mattered in P3´s organization of music production in the mid 2010s. Through field reports and interviews with actors in the field the article reports from a P3 production environment where gender/ing stereotypical cultural (music) models and everyday enacted sexism weaved in and out of unfortunate gendered alliances between the listeners, the hosts and a ‘blind’ management, and could be seen, at its best, to be sustaining status-quo when it came to gender representation in music (and inequality), and, at its worst, to be strengthening gendered un-equality. While trying to pin out some attention points to be aware of in everyday sexism in environments of music production, the article explores the potentials of combining an Anthropology of Learning with an Ethnomusicology of Affect in order to investigate processes of what anthropologist Cathrine Hasse calls for the ‘centrifugal and centripetal forces’ of ‘cultural models’ in work environments, which means, in this particular case, the inclusion and exclusion of gendered artefacts, bodies and things in the spaces of P3´s music production.

AB - This article gives anthropological insight into how gender/ing practices mattered in P3´s organization of music production in the mid 2010s. Through field reports and interviews with actors in the field the article reports from a P3 production environment where gender/ing stereotypical cultural (music) models and everyday enacted sexism weaved in and out of unfortunate gendered alliances between the listeners, the hosts and a ‘blind’ management, and could be seen, at its best, to be sustaining status-quo when it came to gender representation in music (and inequality), and, at its worst, to be strengthening gendered un-equality. While trying to pin out some attention points to be aware of in everyday sexism in environments of music production, the article explores the potentials of combining an Anthropology of Learning with an Ethnomusicology of Affect in order to investigate processes of what anthropologist Cathrine Hasse calls for the ‘centrifugal and centripetal forces’ of ‘cultural models’ in work environments, which means, in this particular case, the inclusion and exclusion of gendered artefacts, bodies and things in the spaces of P3´s music production.

KW - Faculty of Humanities

KW - Musik. Køn. Infrastrukturer.

UR - https://seismograf.org/fokus/sounding-womens-work-part-2/gender-matters

U2 - 10.48233/SEISMOGRAF2805

DO - 10.48233/SEISMOGRAF2805

M3 - Net publication - Internet publication

T3 - Seismograf/DMT

ER -